Christina M. Frey
As editors, we’re often largely working solo. But some writers want or need additional support beyond the typical writer-editor relationship. Perhaps a fiction author is trying to tie together elements of the plot or needs help scene-building. Another writer might be struggling to portray authentic dialogue or to bring in worldbuilding without stopping the story. And some authors have a lot of ideas that they’re ready to bring to the world—but they’re not quite sure where and how to start.
An editorial coach can step in to provide this level of support, and it can beautifully complement your other editorial work. In this session, we’ll look at what makes a good editorial coach, what kinds of approaches work in different situations, and how to listen and adjust your technique. We’ll also talk about finding and pitching clients, managing expectations, and setting boundaries.