Program Representative and Admissions Manager for the National Theatre Institute
Eugene O’Neill Theatre Center
Join us in developing your understanding of acting for the musical stage. Here, we will work on crafting strong, professional, and creative choices when acting through musical text. Actors should have a 32-bar cut and its accompaniment/backing track prepared to workshop in this setting, in which Rachel will encourage each performer to play with the creation of tactics, analysis of subtext and tone, clarification of objective, and utilization of particularizations.